![]() ![]() ![]() June/July has been especially packed for Andrei Eremin, mastering new releases for Miami Horror, Millions, Klo, Closure In Moscow, Japanese Wallpaper, Rat & Co, Leaks, Ali Barter, Lower Spectrum, Brightly, Planète, Super Magic Hats, CastleRays, Skyways Are Highways, plus a remix album for Tomcat and a demonstration video for Sam Hirschfelder, Chet Faker’s very talented drummer. 10 on the AMRAP AirIt Charts), Les Thomas, harlequin., Suzanne Kinsella, Kirsty Moore, Linus Wilson, Michael Plater, Patches, Elephant Ego, From Trees, The Harlots, Jarred Doueal, Vexed City, and preparing vinyl premasters for Sticky Fingers’ album ‘Caress Your Soul’ that he mastered last year. While collecting his US double platinum plaque for The Neighbourhood, Tony “Jack the Bear” Mantz has also been finishing off projects for My Old Dutch, Sidewalk Diamonds, The Moonmen, Buck Yeah, Stray Melodics, La Mar, Captive, Spencer P Jones, Myyth, Headclouds and a double mix CD for international DJ / producer Hernan Cattaneo for the on-going Balance series.Īdam Dempsey has been mastering releases for Tiny Little Houses (getting TripleJ love and debuting at No. The 432 was formerly owned by US mastering engineer Joe Gastwirt, and the 462 from Frankford Wayne Mastering, NYC – both are original units used extensively on countless hit records. Of course, if those EQ’d guitar parts are soloed at some point, less drastic EQ might be needed at those moments, achieved via. ![]() Title Design (For Final Cut Editors) Final Cut Pro 305 Title Design (For Final Cut Editors). Here at Deluxe Mastering we found ourselves EQ’ing with two hands again using the Sontec MES-432 mastering EQ while the stereo-ganged 6-band Sontec MES-462 EQ was out for a week being serviced. About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright. Giorgia Angiuli Explores Sound & Color, On Creating 432 Hz Sounds in Ableton Live For Sylphyo All Interviews Academy.
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